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	<title>Martine Dawson</title>
	<link>https://martinedawson.com</link>
	<description>Martine Dawson</description>
	<pubDate>Mon, 16 Feb 2026 12:24:26 +0000</pubDate>
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		<title>FannyBoulord-MartineDawson-LePoulpe</title>
				
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		<pubDate>Sun, 27 Apr 2025 15:11:32 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

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		<title>Martine Dawson</title>
				
		<link>https://martinedawson.com/Martine-Dawson</link>

		<pubDate>Sat, 20 Nov 2021 22:20:24 +0000</pubDate>

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		<title>Trickles like the dam</title>
				
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		<pubDate>Mon, 16 Feb 2026 12:24:26 +0000</pubDate>

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Coming soonhttps://www.cnap.fr/martine-dawson
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		<pubDate>Sat, 20 Nov 2021 22:20:25 +0000</pubDate>

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Photographies argentiques réalisées dans le Pas-de-Calais, depuis 2009</description>
		
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		<title>Parfois il pleut sur les îles orange vertes bleues</title>
				
		<link>https://martinedawson.com/Parfois-il-pleut-sur-les-iles-orange-vertes-bleues</link>

		<pubDate>Tue, 16 Nov 2021 15:30:44 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

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“Parfois il pleut sur les îles orange vertes bleues. Une brume alors se tient au-dessus d’elles sans dissimuler leurs couleurs.”

Les Guérillères&#38;nbsp;
Monique Wittig


	
		
		
	
	
		
			
				
					
“Suaves, tors
ou indolents, ils deviennent désirables par leur propre
assomption et défient, comme chez Martine Dawson,
l’association traditionnelle des femmes à la douceur.
Regards frontaux adressés sans crainte ni honte, sang,
hématomes, objets de défense voisinent dans des ambiances pastelles des intimités tendres dont la violence
n’est pas absente. Toutes trois révèlent ainsi la fabrication d’identités d’outre-genre, renseignant les actes
normalement invisibles à l’œil nu qu’accomplissent et
qui accomplissent ces femmes.” 

	
		
		
	
	
		
			
				
					
« De connivence, latente et tue,Jehane Mahmoud, Pauline Hisbacq, Martine Dawson »
Camille Richert
Parfois il pleut sur les îles orange vertes bleuesLe Rayon vert. éditions2021
https://lerayonverteditions.cargo.site/</description>
		
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		<title>Rêves récurrents d'orques</title>
				
		<link>https://martinedawson.com/Reves-recurrents-d-orques</link>

		<pubDate>Sat, 20 Nov 2021 22:20:26 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

		<guid isPermaLink="true">https://martinedawson.com/Reves-recurrents-d-orques</guid>

		<description>
&#60;img width="1000" height="1233" width_o="1000" height_o="1233" data-src="https://freight.cargo.site/t/original/i/aa1804d26176af1cfe0234d8a129f5d3b9830bac1e33507d7374ffd72a0410ac/debut-ok06.jpg" data-mid="217693597" border="0"  src="https://freight.cargo.site/w/1000/i/aa1804d26176af1cfe0234d8a129f5d3b9830bac1e33507d7374ffd72a0410ac/debut-ok06.jpg" /&#62;
&#60;img width="1000" height="1233" width_o="1000" height_o="1233" data-src="https://freight.cargo.site/t/original/i/86a311bf0e7ea2073ecc3c2135194c14c1b666f7e0b4f1b871423296c546c497/debut-ok19.jpg" data-mid="217693605" border="0"  src="https://freight.cargo.site/w/1000/i/86a311bf0e7ea2073ecc3c2135194c14c1b666f7e0b4f1b871423296c546c497/debut-ok19.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/ec0e8ece4ca74dd6dc1d6e1c222f2e8cb7ea570192e5a261aacbaeec4e561d4b/debut-ok04.jpg" data-mid="217693595" border="0"  src="https://freight.cargo.site/w/1000/i/ec0e8ece4ca74dd6dc1d6e1c222f2e8cb7ea570192e5a261aacbaeec4e561d4b/debut-ok04.jpg" /&#62;
&#60;img width="1000" height="1500" width_o="1000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/492bb2889eaac9923fbd7dbd2a884a8875e6869bfb04e35a8c1ec1dfab35c695/debut-ok15.jpg" data-mid="217693603" border="0"  src="https://freight.cargo.site/w/1000/i/492bb2889eaac9923fbd7dbd2a884a8875e6869bfb04e35a8c1ec1dfab35c695/debut-ok15.jpg" /&#62;
&#60;img width="1000" height="811" width_o="1000" height_o="811" data-src="https://freight.cargo.site/t/original/i/d4a0f7e5a502434e375f93ed8cf5242f674204cbde5a36519c083c1ced9ff504/debut-ok02.jpg" data-mid="217693594" border="0"  src="https://freight.cargo.site/w/1000/i/d4a0f7e5a502434e375f93ed8cf5242f674204cbde5a36519c083c1ced9ff504/debut-ok02.jpg" /&#62;
&#60;img width="1000" height="1233" width_o="1000" height_o="1233" data-src="https://freight.cargo.site/t/original/i/a4761cdf0c2295c3c5e3d15d7db7a979bc1d9af3ad7fac21d694db408ac71a0e/debut-ok11.jpg" data-mid="217693600" border="0"  src="https://freight.cargo.site/w/1000/i/a4761cdf0c2295c3c5e3d15d7db7a979bc1d9af3ad7fac21d694db408ac71a0e/debut-ok11.jpg" /&#62;
&#60;img width="1000" height="1197" width_o="1000" height_o="1197" data-src="https://freight.cargo.site/t/original/i/6f9a660169c3447fdfdad2b84d01e839bd311dc77ab0bfac732c263789ee38bf/debut-ok08.jpg" data-mid="217693599" border="0"  src="https://freight.cargo.site/w/1000/i/6f9a660169c3447fdfdad2b84d01e839bd311dc77ab0bfac732c263789ee38bf/debut-ok08.jpg" /&#62;




	Rêves récurrents d’orques&#38;nbsp;
Photographies argentiques 
2023

	

	Je fais des photographies de la ville la nuit, comme une excuse pour une
errance sans but, comme pour me réapproprier des espaces qui me
semblent interdits. Je fais des photographies des corps, de l’intimité, pour ouvrir un espace
d’échange sur nos vécus et nos imaginaires, repenser ensemble nos regards et nos modes de représentation.Collection entremêlée, la série Rêves récurrents d’orques propose de
déambuler entre la ville et l’intime, deux espaces qui nous apparaissent de
manière discontinue. Leurs éléments morcelés révèlent la tension entre
intérieur et extérieur, qui conditionne nos gestes et nos trajectoires, et
impacte nos corps de femmes, tantôt contraints, tantôt impatients, en
nous rappelant que les usages de l’espace sont toujours différenciés.



					


				
			
		
	
&#60;img width="5352" height="3568" width_o="5352" height_o="3568" data-src="https://freight.cargo.site/t/original/i/7cbee8e841fd90ec8973f0b737c478673e41fe4c10fb757da72bdb685103334e/_AR_3949A.jpg" data-mid="217704916" border="0"  src="https://freight.cargo.site/w/1000/i/7cbee8e841fd90ec8973f0b737c478673e41fe4c10fb757da72bdb685103334e/_AR_3949A.jpg" /&#62;&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/4b7920947f8cabeecf0176e7896794fd08f1d14e0f0bb2e7e357f079f1958b28/_AR_3933.JPG" data-mid="217704921" border="0"  src="https://freight.cargo.site/w/1000/i/4b7920947f8cabeecf0176e7896794fd08f1d14e0f0bb2e7e357f079f1958b28/_AR_3933.JPG" /&#62;Exposition au Centre Photographique Marseille - Mai 2023

	
		
		
	
	
		
			
				
					


				
			
		
	


</description>
		
	</item>
		
		
	<item>
		<title>Sonnette</title>
				
		<link>https://martinedawson.com/Sonnette</link>

		<pubDate>Sat, 20 Nov 2021 22:20:25 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

		<guid isPermaLink="true">https://martinedawson.com/Sonnette</guid>

		<description>&#60;img width="4398" height="3543" width_o="4398" height_o="3543" data-src="https://freight.cargo.site/t/original/i/e6eb04a4aeb1cf15965d19f57270ed12d0a260201a719c9ce0a83a4454e8292f/Piano-buen-Copie-en-conflit-de-marine-delaloge-2017-04-03.jpg" data-mid="217705402" border="0"  src="https://freight.cargo.site/w/1000/i/e6eb04a4aeb1cf15965d19f57270ed12d0a260201a719c9ce0a83a4454e8292f/Piano-buen-Copie-en-conflit-de-marine-delaloge-2017-04-03.jpg" /&#62;



&#60;img width="2000" height="2588" width_o="2000" height_o="2588" data-src="https://freight.cargo.site/t/original/i/b09674e8c271fb8aa57ed0a632cc3b523896258161d3639adcbea63ad769dba7/bouto16.jpeg" data-mid="217692765" border="0"  src="https://freight.cargo.site/w/1000/i/b09674e8c271fb8aa57ed0a632cc3b523896258161d3639adcbea63ad769dba7/bouto16.jpeg" /&#62;
&#60;img width="2318" height="3000" width_o="2318" height_o="3000" data-src="https://freight.cargo.site/t/original/i/fd5ff8b26ac958826c3f3cc6de7777ef90845f899dc6929ebfb7b0b14d5a9b9d/Sonnette_11.JPG" data-mid="217706668" border="0"  src="https://freight.cargo.site/w/1000/i/fd5ff8b26ac958826c3f3cc6de7777ef90845f899dc6929ebfb7b0b14d5a9b9d/Sonnette_11.JPG" /&#62;
&#60;img width="1117" height="902" width_o="1117" height_o="902" data-src="https://freight.cargo.site/t/original/i/ad0c40dcb72acb2960272181bfea80e7e32c035e8146f0affede9e30e96f9e73/Capture-decran-2024-09-08-a-19.16.51.png" data-mid="217706670" border="0"  src="https://freight.cargo.site/w/1000/i/ad0c40dcb72acb2960272181bfea80e7e32c035e8146f0affede9e30e96f9e73/Capture-decran-2024-09-08-a-19.16.51.png" /&#62;
&#60;img width="6477" height="8366" width_o="6477" height_o="8366" data-src="https://freight.cargo.site/t/original/i/51dbf063c4d6da670d01707b685da8187bed8deec52ef57aca4621e504098a64/doc_archive.jpeg" data-mid="217705420" border="0"  src="https://freight.cargo.site/w/1000/i/51dbf063c4d6da670d01707b685da8187bed8deec52ef57aca4621e504098a64/doc_archive.jpeg" /&#62;
&#60;img width="3786" height="5680" width_o="3786" height_o="5680" data-src="https://freight.cargo.site/t/original/i/2f6cccc22a6e0bda81a4d8dec06eadaecef2552bb8f85f285ca5af85b3bc65d7/extrait3.jpg" data-mid="217706732" border="0"  src="https://freight.cargo.site/w/1000/i/2f6cccc22a6e0bda81a4d8dec06eadaecef2552bb8f85f285ca5af85b3bc65d7/extrait3.jpg" /&#62;
&#60;img width="2000" height="2588" width_o="2000" height_o="2588" data-src="https://freight.cargo.site/t/original/i/99ad741e4893d506a8e2f082843cf99bb28a1145a0925f4fa82a7e4507cd908a/bouto13.JPG" data-mid="217692793" border="0"  src="https://freight.cargo.site/w/1000/i/99ad741e4893d506a8e2f082843cf99bb28a1145a0925f4fa82a7e4507cd908a/bouto13.JPG" /&#62;
&#60;img width="1339" height="894" width_o="1339" height_o="894" data-src="https://freight.cargo.site/t/original/i/d92bab8d69256727f2f375b0c9a518f2ab08c8af11dd403bf0c1022c1ac9aa6f/Capture-decran-2024-09-08-a-19.15.26.png" data-mid="217706669" border="0"  src="https://freight.cargo.site/w/1000/i/d92bab8d69256727f2f375b0c9a518f2ab08c8af11dd403bf0c1022c1ac9aa6f/Capture-decran-2024-09-08-a-19.15.26.png" /&#62;
&#60;img width="2000" height="2588" width_o="2000" height_o="2588" data-src="https://freight.cargo.site/t/original/i/39077be0e8f80f2021a750bbcb364f295ce2754af757fe36d45e4e52c99b58bd/bouto07.jpeg" data-mid="217692792" border="0"  src="https://freight.cargo.site/w/1000/i/39077be0e8f80f2021a750bbcb364f295ce2754af757fe36d45e4e52c99b58bd/bouto07.jpeg" /&#62;
&#60;img width="3449" height="2780" width_o="3449" height_o="2780" data-src="https://freight.cargo.site/t/original/i/bc3ca41617a6c8bc72fb983e532b3dda253148ddddb3d9fdc5965c41b96a54b1/Hall.jpg" data-mid="217705419" border="0"  src="https://freight.cargo.site/w/1000/i/bc3ca41617a6c8bc72fb983e532b3dda253148ddddb3d9fdc5965c41b96a54b1/Hall.jpg" /&#62;


&#38;nbsp;

	
		
		
	
	
		
			
				
					SonnetteEnsemble de photographies, documents et images d’archive
2016avec Mélissa Boucher


	Sonnette est une ville du Montana qui a disparu à la fin du
XXème siècle pour des raisons mystérieuses. Quelques vestiges
demeurent, d’apparence lugubre, contrastant avec le souvenir vivace d’un dance-hall qui a accueilli les jeunes de la région
durant les années 1960. La série est une traversée imaginée
de la ville, à l’aune de souvenirs : à partir de ce qu’il reste de
cette ville, d’archives et de témoignages d’anciens habitants.
Mélissa Boucher et Martine Dawson ont réinterprété leur déambulation dans Sonnette, leur travail interroge la part de fiction qui se dégage du réel.


&#60;img width="1960" height="1306" width_o="1960" height_o="1306" data-src="https://freight.cargo.site/t/original/i/7b39e14c9a425c50fa18fcc81532d14e27a16e9a67a48f37885f5ed300506fc7/IMG_0513.jpg" data-mid="217706673" border="0"  src="https://freight.cargo.site/w/1000/i/7b39e14c9a425c50fa18fcc81532d14e27a16e9a67a48f37885f5ed300506fc7/IMG_0513.jpg" /&#62;
&#60;img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/deb5fa931aa3d92c3e5540653905f2ad63eb48f82745999f7f2727fdc3248fde/_MG_2372.jpg" data-mid="217706679" border="0"  src="https://freight.cargo.site/w/1000/i/deb5fa931aa3d92c3e5540653905f2ad63eb48f82745999f7f2727fdc3248fde/_MG_2372.jpg" /&#62;
&#60;img width="987" height="1481" width_o="987" height_o="1481" data-src="https://freight.cargo.site/t/original/i/6c7a5f471b640828ac90a644b5e41a430468856654558bbd8dbdbb1005a21fe8/IMG_0514.jpg" data-mid="217706674" border="0"  src="https://freight.cargo.site/w/987/i/6c7a5f471b640828ac90a644b5e41a430468856654558bbd8dbdbb1005a21fe8/IMG_0514.jpg" /&#62;
&#60;img width="3744" height="5616" width_o="3744" height_o="5616" data-src="https://freight.cargo.site/t/original/i/12b48df2926e5ac1964068ebfad7da694f9bf81e68a6036cd30522bb53b49ee1/_MG_2399.jpg" data-mid="217707007" border="0"  src="https://freight.cargo.site/w/1000/i/12b48df2926e5ac1964068ebfad7da694f9bf81e68a6036cd30522bb53b49ee1/_MG_2399.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/f6319063ac42e49fff04b398f7cd5fd4b52205168ef3d829448e613f3ab71734/_MG_2396.jpg" data-mid="217706677" border="0"  src="https://freight.cargo.site/w/1000/i/f6319063ac42e49fff04b398f7cd5fd4b52205168ef3d829448e613f3ab71734/_MG_2396.jpg" /&#62;
&#60;img width="1188" height="1782" width_o="1188" height_o="1782" data-src="https://freight.cargo.site/t/original/i/5825185c6c12a65f35999a6eb94b4e4a184e2c03d116b29f4a4b9d4441a014f9/IMG_0512.jpg" data-mid="217706785" border="0"  src="https://freight.cargo.site/w/1000/i/5825185c6c12a65f35999a6eb94b4e4a184e2c03d116b29f4a4b9d4441a014f9/IMG_0512.jpg" /&#62;
Exposition au Festival Circulation(s), Paris, 2016 &#38;amp; au Multimedia Art Museum de Moscou, 2017

</description>
		
	</item>
		
		
	<item>
		<title>Je me suis demandée si ils allaient me trouver différente</title>
				
		<link>https://martinedawson.com/Je-me-suis-demandee-si-ils-allaient-me-trouver-differente</link>

		<pubDate>Sat, 20 Nov 2021 22:20:27 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

		<guid isPermaLink="true">https://martinedawson.com/Je-me-suis-demandee-si-ils-allaient-me-trouver-differente</guid>

		<description>
	
	
&#60;img width="1110" height="730" width_o="1110" height_o="730" data-src="https://freight.cargo.site/t/original/i/1df05791e26c881c51d0ef470f810e6d04fe9213f4d55f9e747a22ff1c6a936a/Capture-decran-2024-05-14-a-18.29.32.png" data-mid="217702280" border="0"  src="https://freight.cargo.site/w/1000/i/1df05791e26c881c51d0ef470f810e6d04fe9213f4d55f9e747a22ff1c6a936a/Capture-decran-2024-05-14-a-18.29.32.png" /&#62;&#60;img width="1123" height="794" width_o="1123" height_o="794" data-src="https://freight.cargo.site/t/original/i/9e20eb5faa22a2d631ecb951b110c8d0d8d6c57387736fe09df710f7c30ea781/portfolio-cargo-scam9.jpg" data-mid="217702450" border="0"  src="https://freight.cargo.site/w/1000/i/9e20eb5faa22a2d631ecb951b110c8d0d8d6c57387736fe09df710f7c30ea781/portfolio-cargo-scam9.jpg" /&#62;Je me suis demandée si ils allaient me trouver différente
Installation de photographies argentiques et numériques2017


	“La photographe Martine Dawson aime les
plantes urticantes, les rituels, les danses en pleine ivresse, les
gestes fugitifs de ceux qui grandissent trop vite. Alors elle les
collectionne, les dispose en guirlandes de photographies qui
s'entrelacent dans le même lit. La fine pellicule épidermique des
adolescents s'attrape puis se conserve en un souvenir que l'on ne
souhaite pas perdre, là, piqué au mur. Cette succession de
vignettes et de fragments de vie, comme l'écho d'une page web de
blog où les archives se mettent au garde-à-vous, délivre un
parcours où les baisers se mêlent et les souvenirs se confondent.
Le bas du papier qui n'est pas cloué se soulève. Cette légère
courbe au vent dessine une envie de s'échapper à tout moment, la
promesse d'un enfant grandissant.”&#38;nbsp;


Jeremy Pixel, Libération, 2017

&#60;img width="3604" height="5406" width_o="3604" height_o="5406" data-src="https://freight.cargo.site/t/original/i/14c462390e6879abf9594171cc2da32e2338a188548b7ba09e29d40144cb7921/CACN_JEUNE_VUES-EXPO-8-sur-46A.jpg" data-mid="217702832" border="0"  src="https://freight.cargo.site/w/1000/i/14c462390e6879abf9594171cc2da32e2338a188548b7ba09e29d40144cb7921/CACN_JEUNE_VUES-EXPO-8-sur-46A.jpg" /&#62;
&#60;img width="987" height="659" width_o="987" height_o="659" data-src="https://freight.cargo.site/t/original/i/710d4313ad60810f7bc2478737296ee072ec799e20f4b7a80a59dfdce7bd8f73/Capture-decran-2024-05-14-a-18.29.43.png" data-mid="217702281" border="0"  src="https://freight.cargo.site/w/987/i/710d4313ad60810f7bc2478737296ee072ec799e20f4b7a80a59dfdce7bd8f73/Capture-decran-2024-05-14-a-18.29.43.png" /&#62;
&#60;img width="640" height="853" width_o="640" height_o="853" data-src="https://freight.cargo.site/t/original/i/23ad100a27c325b9e4a5d7ccc4702d2b76601506ccb2420439aea2e565877db4/IMG_20200724_134218_908.jpg" data-mid="217702835" border="0"  src="https://freight.cargo.site/w/640/i/23ad100a27c325b9e4a5d7ccc4702d2b76601506ccb2420439aea2e565877db4/IMG_20200724_134218_908.jpg" /&#62;
&#60;img width="1340" height="2010" width_o="1340" height_o="2010" data-src="https://freight.cargo.site/t/original/i/8a3166591069ec57bfb1364ab4918830576114d3f09bc763b536d2771aabc84e/JEUNE_NICE_expo_A.jpg" data-mid="217702701" border="0"  src="https://freight.cargo.site/w/1000/i/8a3166591069ec57bfb1364ab4918830576114d3f09bc763b536d2771aabc84e/JEUNE_NICE_expo_A.jpg" /&#62;
&#60;img width="518" height="611" width_o="518" height_o="611" data-src="https://freight.cargo.site/t/original/i/dcd0f8af8a97eac4121cda88e02414e66b44e4a4d1af572446f02989ef0f0e3f/libe.jpg" data-mid="217707158" border="0"  src="https://freight.cargo.site/w/518/i/dcd0f8af8a97eac4121cda88e02414e66b44e4a4d1af572446f02989ef0f0e3f/libe.jpg" /&#62;



	
		
		
	
	
		
			
				
					
Série exposée dans le cadre du projet collectif JEUNE mené par Rebekka Deubner et Pauline Hisbacq.
Exposition à la Galerie du Crous, Paris, 2017;
au Festival Un été à Paris, Paris, 2020; au Centre d’Art Contemporain de Nîmes, 2018;
au Sept-Off, Nice, 2018 &#38;amp; à La Plateforme, Dunkerque, 2019

				
			
		
	
&#38;nbsp;&#38;nbsp;

	


	
	
	
	






</description>
		
	</item>
		
		
	<item>
		<title>Cette façon qu'elle avait d'habiter tout son corps</title>
				
		<link>https://martinedawson.com/Cette-facon-qu-elle-avait-d-habiter-tout-son-corps</link>

		<pubDate>Sat, 20 Nov 2021 22:20:25 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

		<guid isPermaLink="true">https://martinedawson.com/Cette-facon-qu-elle-avait-d-habiter-tout-son-corps</guid>

		<description>

&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/128a89511d3b78a026614384528b85844a79dc4b280135a163aad3a806e612c7/Cette.JPG" data-mid="217692279" border="0"  src="https://freight.cargo.site/w/1000/i/128a89511d3b78a026614384528b85844a79dc4b280135a163aad3a806e612c7/Cette.JPG" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/cfe27575a907ae17430e9fe51b0440264eaaa4a717eae50efc89e0d24cbb285a/Cette-50.JPG" data-mid="217692270" border="0"  src="https://freight.cargo.site/w/1000/i/cfe27575a907ae17430e9fe51b0440264eaaa4a717eae50efc89e0d24cbb285a/Cette-50.JPG" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/3c514ae5eb4229afe6516bb578020daec7468b0e184a2fc5ba3dc2b588fe3092/Cette-13.JPG" data-mid="217692266" border="0"  src="https://freight.cargo.site/w/1000/i/3c514ae5eb4229afe6516bb578020daec7468b0e184a2fc5ba3dc2b588fe3092/Cette-13.JPG" /&#62;
&#60;img width="1200" height="800" width_o="1200" height_o="800" data-src="https://freight.cargo.site/t/original/i/333c0ddac8c0d784e0a58e053828942d53aece1e772572e8843929b7f9f519cd/Cette-43.JPG" data-mid="217692269" border="0"  src="https://freight.cargo.site/w/1000/i/333c0ddac8c0d784e0a58e053828942d53aece1e772572e8843929b7f9f519cd/Cette-43.JPG" /&#62;
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Cette façon qu’elle avait d’habiter tout son corps - That way she inhabited her whole body - is the story of a girl who seems to live a bit more than the others. As if time needed to be confronted, she takes her victory on it by living everyday with an insolent intensity.Impulsively, she seems to stage herself without acknoledging it, giving a moving and fascinating show, successively leading and frightening (/daunting) her partners.
The series makes a collection of the images from three visions of the same girl, gathering ans confronting them, bringing different lights on the different facets of the character.

	
		
		
	
	
		
			
				
					
Cette façon qu’elle avait d’habiter tout son corpsVoid, 2018
Avec Mélissa Boucher &#38;amp; Clarisse Guichardhttps://void.photo/zines
https://vimeo.com/542687433


				
			
		
	


</description>
		
	</item>
		
		
	<item>
		<title>Everyone seemed</title>
				
		<link>https://martinedawson.com/Everyone-seemed</link>

		<pubDate>Tue, 16 Nov 2021 15:30:44 +0000</pubDate>

		<dc:creator>Martine Dawson</dc:creator>

		<guid isPermaLink="true">https://martinedawson.com/Everyone-seemed</guid>

		<description>

&#60;img width="6166" height="2063" width_o="6166" height_o="2063" data-src="https://freight.cargo.site/t/original/i/129e07540b2091f4ce972882e7b06519e3998e76e921fb5c6a42cd7f09227755/fumee.jpg" data-mid="217710378" border="0"  src="https://freight.cargo.site/w/1000/i/129e07540b2091f4ce972882e7b06519e3998e76e921fb5c6a42cd7f09227755/fumee.jpg" /&#62;
“No one wanted to stop so we didn’t. Everyone seemed to be dancing out their own loneliness, and when that was over, we danced together, separating when the urge took us.”
 
Dalva, Jim Harrison


&#60;img width="3015" height="4522" width_o="3015" height_o="4522" data-src="https://freight.cargo.site/t/original/i/6370f999998d1d9353b6d197705a2804d60d94ce1f9109e31546d6724a54900c/ryan-and-dog.jpg" data-mid="217710458" border="0"  src="https://freight.cargo.site/w/1000/i/6370f999998d1d9353b6d197705a2804d60d94ce1f9109e31546d6724a54900c/ryan-and-dog.jpg" /&#62;
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&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/078da66ccaf783e024aa86da2818cb7453a4987e93f86a0b0d2331ef027b7bad/_MG_3750.JPG" data-mid="217710364" border="0"  src="https://freight.cargo.site/w/1000/i/078da66ccaf783e024aa86da2818cb7453a4987e93f86a0b0d2331ef027b7bad/_MG_3750.JPG" /&#62;
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&#60;img width="1961" height="2941" width_o="1961" height_o="2941" data-src="https://freight.cargo.site/t/original/i/64cd8db9c3c77fab0e9ea3d229a416d3c4feaa4474de8d86dafc9a9afa6b1102/nuage.jpg" data-mid="217710379" border="0"  src="https://freight.cargo.site/w/1000/i/64cd8db9c3c77fab0e9ea3d229a416d3c4feaa4474de8d86dafc9a9afa6b1102/nuage.jpg" /&#62;
&#60;img width="3027" height="2018" width_o="3027" height_o="2018" data-src="https://freight.cargo.site/t/original/i/a1824df7c195ef25950bddc54a9cbb5798d48b349495941cdf82bef9dd449e31/buisson.jpg" data-mid="217712867" border="0"  src="https://freight.cargo.site/w/1000/i/a1824df7c195ef25950bddc54a9cbb5798d48b349495941cdf82bef9dd449e31/buisson.jpg" /&#62;
&#60;img width="5616" height="3744" width_o="5616" height_o="3744" data-src="https://freight.cargo.site/t/original/i/0674f8116a52a760510765e63d11d0b16c09a9ad19eecbe21d3ca8150904bb9e/_MG_3763.JPG" data-mid="217710370" border="0"  src="https://freight.cargo.site/w/1000/i/0674f8116a52a760510765e63d11d0b16c09a9ad19eecbe21d3ca8150904bb9e/_MG_3763.JPG" /&#62;
&#38;nbsp; &#38;nbsp; Everyone seemed to be dancing out their own loneliness,
Dummy Auto-édité,

2017
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